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To my dear managers,
It has come to my attention that a problem regarding the production has arisen. As you know, I make a conscious effort to keep my opera house running smoothly, and am troubled when I hear that not all is going according to plan. My plan. Because it is my plan that will ensure the further success of my theatre and also guarantee that the two of you won’t end up on the streets acting like the drunken, discombobulated dimwits that you are.
So it would really be in your best interests, my kind managers, to follow my instructions carefully. I shall be enormously unhappy if I am forced to repeat them yet again, and the world does not fare well when I am unhappy.
Carlotta Guidicelli is quite possibly the poorest excuse for a soprano and an actress in general that I have ever had the misfortune to hear. She sings as if her intestines are slowly being extracted through her backside. She stomps about the stage like a mad chicken, squawking and screeching something terrible. Her acting skills are so over exaggerated that I fear she will one day explode from the ridiculous effort of it all. Also, someone should work up the courage in the near future to tell her that her costumes are far too small and heaving breasts are not attractive in the least. She will doubtless wreak havoc upon the production.
Ask yourselves, my good managers, can you really afford to lose such a large amount of money, especially when you have my monthly payments to keep up with? I think not! It is safe to say that the pair of you are in a deep spot of trouble.
There is a dreadful problem here that can herald equally dreadful results if not corrected immediately. “But what to do?” you ask, “Where to turn?” Look no further, my bumbling friends. I have conveniently come to your rescue yet again, out of the goodness of my heart.
Christine Daae will replace Carlotta in tonight’s performance, as Carlotta will be “ill.” I assure you that Mademoiselle Daae is well rehearsed and trained for the part. Her voice will mark the beginning of an era of triumph for this opera house. After tonight, patrons shall be throwing money at your feet in hopes of hearing such a miracle.
I will not tolerate defiance. Should these commands be ignored, you and the entire theatre will be very sorry indeed.
Graciously and most humbly yours,
Opera Ghost
It has come to my attention that a problem regarding the production has arisen. As you know, I make a conscious effort to keep my opera house running smoothly, and am troubled when I hear that not all is going according to plan. My plan. Because it is my plan that will ensure the further success of my theatre and also guarantee that the two of you won’t end up on the streets acting like the drunken, discombobulated dimwits that you are.
So it would really be in your best interests, my kind managers, to follow my instructions carefully. I shall be enormously unhappy if I am forced to repeat them yet again, and the world does not fare well when I am unhappy.
Carlotta Guidicelli is quite possibly the poorest excuse for a soprano and an actress in general that I have ever had the misfortune to hear. She sings as if her intestines are slowly being extracted through her backside. She stomps about the stage like a mad chicken, squawking and screeching something terrible. Her acting skills are so over exaggerated that I fear she will one day explode from the ridiculous effort of it all. Also, someone should work up the courage in the near future to tell her that her costumes are far too small and heaving breasts are not attractive in the least. She will doubtless wreak havoc upon the production.
Ask yourselves, my good managers, can you really afford to lose such a large amount of money, especially when you have my monthly payments to keep up with? I think not! It is safe to say that the pair of you are in a deep spot of trouble.
There is a dreadful problem here that can herald equally dreadful results if not corrected immediately. “But what to do?” you ask, “Where to turn?” Look no further, my bumbling friends. I have conveniently come to your rescue yet again, out of the goodness of my heart.
Christine Daae will replace Carlotta in tonight’s performance, as Carlotta will be “ill.” I assure you that Mademoiselle Daae is well rehearsed and trained for the part. Her voice will mark the beginning of an era of triumph for this opera house. After tonight, patrons shall be throwing money at your feet in hopes of hearing such a miracle.
I will not tolerate defiance. Should these commands be ignored, you and the entire theatre will be very sorry indeed.
Graciously and most humbly yours,
Opera Ghost
Literature
A Lesson on Ice
Silence reigned over the Opera Populaire as I sat dismally at my well-used organ. Rehearsals had long since ended, and upon returning to my dank, underground abode, I had planned to attempt making progress on my opera. I was having no such luck, as my inspiration was somewhat lacking that particularly cold December evening. I searched my mind for the illusive notes that were required to completed the passionate duet between Don Juan and the innocent gypsy girlAminta. The fleeting times I had been able to visit Christine were probably instrumental in the problem. That old coot Madame Giry had been forcing all of the ballet rats to atten
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Chapter 1: A Word of Warning
Paris 1871:
The clock ticked monotonously in the background as Brielle Donovan sat stoically in the managers office of the Opera Populaire, her impassive expression effectively covering the impatience building within her chest. Dressed plainly in black, the high collar of her dress fitting snugly just under her chin, the young Irishwoman presented a sober picture, giving the impression of being far older than her twenty five years. A black velvet hat sat tilted fashionably to one side atop her head, purposefully covering the odd dove white hair which was pinned strictly into a bun at the nape of her neck.
Literature
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I did not raise my head when I heard them enter my tent. I couldn't remember how many crowds had passed through, that night, but I knew that this would likely be one of the last. It seemed to be getting late, though I really had no way of knowing. I rarely ever saw the light of day in quantities any larger than what managed to squeeze through the small tear in the roof of the tent in which I was kept. I'd grown to appreciate darkness over the years, but that did not mean that I didn't long for the light and warmth that only the sun could give to one such as myself, for I'd learned at a very early age that it could come from no human being.
I
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